I work extensively on the layered surface of my paintings. Images and objects are transcribed and re-interpreted, often forming abstract marks. I then draw back into my prints, a whisper of a trace, a pin prick line marks the presence of an absentee and stitching binds the stories of these objects and images together as these elements are built up and then consciously eroded, partially obscuring or uncovering traces.

I have always painted and have constantly been inspired by the found object that leaves marks and traces.

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